Friday, December 19, 2008

Two different Interpreters






I studied this music, Mozart concertante for violin and viola, this semester. When I first brought this music to my teacher, she said my playing is too romantic. I was kind of confused that how I can interpret this classical period music correct. So I start to searching for the answer and I found this two different interprets. I usually liked Bashmet's playing but not this time. I like Oistrakh's playing much better. It was really simple, clean, well combination with violin and viola. It just sound like Mozart to me.

David Fyodorovich Oistrakh (Russian: Давид Фёдорович Ойстрах), David Fiodorovič Ojstrah; September 30 [O.S. September 17] 1908 – October 24, 1974) was a violin virtuoso who made many recordings and was the dedicatee of numerous violin works.
His recordings and performances of Shostakovich's concerti are particularly well known, but he was also a performer of classical concerti. He worked with orchestras in Russia, and also with musicians in Europe and the United States. The violin concerto of Aram Khachaturian is dedicated to him, as are the two violin concerti by Dmitri Shostakovich.

Igor Oistrakh (Игорь Ойстрах) (born April 27, 1931) is a Ukrainian violinist.
He was born in Odessa, Ukraine and is the son of violinist David Oistrakh. He attended the Central Music School in Moscow and made his concert debut in 1948. From 1949 to 1955 he studied at the Moscow Conservatory, winning first prizes and international competitions in Eastern Europe. He then joined the faculty of the Conservatory in 1958, becoming a lecturer in 1965. Since 1996 Igor Oistrakh has held the post of Professor of the Royal Conservatory in Brussels.
He has appeared frequently internationally, both as a soloist and in joint recitals with his father, or with his father conducting.
He is noted for his lean, modernist interpretations.

Yuri Abramovich Bashmet
(Russian: Юрий Абрамович Башмет, Ukrainian: Юрій Башмет; born 24 January, 1953) is a leading Russian conductor and violist. n 1971, he graduated from the Lviv secondary special music school. From 1971 till 1976, he studied at the Moscow Conservatoire. His first viola teacher was Professor Vadim Borisovsky; after whose death in 1972 was succeeded by Professor Feodor Druzhinin. Feodor Druzhinin was also the tutor of Yury Bashmet for the probation period and for his postgraduate study at the Moscow Conservatoire (1976-1978). In the late 1970s – early 1980s, Bashmet developed his career as a solo performer. He began his active concert activities in 1976, with a tour of Germany with the Moscow Chamber Orchestra founded by R. Barshay. He has performed in leading concert halls the world over: in Europe, USA, Canada, Latin America, Australia, New Zealand and Japan. He was the first violist to perform a solo recital in such halls as New York's Carnegie Hall, the Amsterdam Concertgebouw, the Barbican in London, the Berlin Philharmonic, La Scala of Milan, the Great Hall of the Moscow Conservatoire, and the Great Hall of the Leningrad Philharmonic.
Yuri Bashmet has performed under many noted conductors, including Rafael Kubelík, Mstislav Rostropovich, Seiji Ozawa, Valery Gergiev, Gennady Rozhdestvensky, Colin Davis, John Eliot Gardiner, Yehudi Menuhin, Charles Édouard Dutoit, Neville Marriner, Paul Sacher, Michael Tilson Thomas, Kurt Masur, Bernard Haitink, Kent Nagano, Simon Rattle, Yuri Temirkanov, and Nikolaus Harnoncourt.

Finale program

In the Tech. trend class, we covered several programs for creating web page. Finale was the one of them. It was quite challenge for me as a first time user.
It took a lot of time to get used to be with it but still I think I barely know about it. I never use any scorewriter program such as Finale, Sibelius, and Nightingale.
So I really don’t know which one is more convenience for me and I so afraid to start use another program I never use before. So probably I’ll stay on Finale for a while.

Finale is the flagship program of a series of proprietary scorewriters created by MakeMusic for Microsoft Windows and Mac OS X. Finale is regarded by some as the industry-standard notation software, though there is some debate as to whether there is a true industry-standard.[1] Both Finale and its main competitor Sibelius are widely used in professional engraving and publishing, educational institutions, and for film, TV and theater music preparation, among other uses.
MakeMusic also offers several less expensive versions of Finale, with subsets of the main program's features. These include Finale NotePad, Printmusic, and Allegro. Two more such versions, Finale Guitar and Finale Songwriter, have feature sets tailored to different musicians' needs. Another "lite" program, Finale NotePad Plus, was previously made but is now discontinued.

Finale's strength is its flexibility. Almost every feature on the page can be globally or individually adjusted, manipulated, resized, replaced or altered in some way. By adapting existing notation symbols, or by creating new elements, it is ideal for contemporary and modern music that requires extensions to standard music notation.
Linked parts create orchestral parts that remain linked to the master score, so that changes to the master score will be instantly reflected in the parts.
Finale can notate anything from a textbook chorale to a cut-out score including new symbols invented by the composer. It is also capable of working with guitar tablature and includes a jazz font similar to that used in the Real Book. Virtually all score elements can be positioned or adjusted, either by dragging (with the appropriate tool selected) or by using dialog boxes with measurements in inches, centimeters or picas.
Music can be entered in a variety of ways: using the computer keyboard alone in realtime or via a command line window; using user-determined combinations of mouse clicks, computer keyboard, and MIDI piano keyboard; or by MIDI keyboard alone. Standard midi files may be also be input. It also includes a function for optically recognising printed music from a scan, similar to OCRring text. From Finale 2001 onward, the program included Mic Notator, a module able to notate pitches played on an acoustic instrument via a microphone connected to the computer.
Finale can import and export MIDI files, and it can playback music using a large range of audio samples, notably from the Garritan library. As of Finale 2009, it can use VST and AU plug-ins. 'Human playback' creates a less mechanical feel, by incorporating playing styles into the playback, including ornaments, ritardandos and accelerandos. Finale can export audio files as .aif, .wav or .mp3.

Some users have claimed that Finale "has a steep learning curve" and requires "a significant investment in ... time to learn the program."[8] This has driven some musicians to choose the software Sibelius instead, as it is purportedly learned more easily. Some Finale users disagree entirely; others claim that a steeper curve is necessary to incorporate the high level of manual adjustment of a score that Finale is known and lauded for.
The following are specific problems that some users run into when using Finale, the first few being more common than the later ones:
For pieces starting with a pick-up measure, the setup wizard enables one to put in the correct note values but it does not put in the correct rest values. If the arranger fails to notice and correct this in each part, it leads to confusion in rehearsal when the players who don't play in the pick-up measure see a whole rest instead of the correct value rest in their part.
Users sharing files between different versions of Finale will notice that it is not fully backwards-compatible. Newer versions of Finale can open older files, but a newer file cannot be converted to an older version. Finale 2003 added a feature to import and export MusicXML files, solving the problem of backwards-compatibility to a certain extent.
Finale does not yet support Unicode when entering lyrics. As of Finale 2007, only ASCII-based characters are supported. Finale also supports 2-byte (Huge) fonts.
Finale requires additional midi or similar plugins in order to effectively score marching percussion for playback.

Fantasia. more than just cartoon

Someone told me that the reason many people know the tunes of popular classical music is due to cartoons such as Fantasia, Ben & Jerry, Bucks Bunny, etc. Without them many people may grow up never getting exposed to those music at all.
Fantasia is a 1940 animated film produced by Walt Disney, and is the third film in the Walt Disney Animated Classics. Fantasia is an experiment in animation and music, consisting of classical music presented against the backdrop of animation and featuring no dialogue, only spoken introductions by Deems Taylor before each cartoon, as well as during the intermission segment, "The Sound Track". The music is recorded under the direction of Leopold Stokowski; seven of the eight pieces were performed by the Philadelphia Orchestra. Animated artwork of varying degrees of abstraction or literalism is used to illustrate or accompany the concert in various ways. The film also includes live-action segments featuring Stokowski, the orchestra, and American composer and music critic Deems Taylor, who serves as the host for the film. Besides its avant-garde qualities, Fantasia was notable for being the first major film released in stereophonic sound, using a process dubbed "Fantasound".
Fantasia was originally released by Walt Disney Productions itself rather than RKO Pictures, which normally distributed the Disney films, and exhibited as a two-hour and twenty minute roadshow film (counting the intermission) with reserved-seat engagements. The film opened to mixed critical reaction and failed to generate a large commercial audience, which left Walt Disney in financial straits.[1][2] Fantasia was eventually picked up by RKO for release in 1941 and edited drastically to a running time of 81 minutes in 1942. Five subsequent rereleases of Fantasia between 1946 and 1977 restored various amounts of the deleted footage, with the most common version being the 1946 rerelease edit, which ran nine minutes shorter than the original 124 minute roadshow version. A 1982 reissue featured a newly recorded digital soundtrack conducted by composer Irwin Kostal, but was taken out of circulation in 1990 after a restored version of the original Stokowski-conducted soundtrack was prepared. The original version of Fantasia was never released again after 1941, and although some of the original audio elements no longer exist, a 2000 DVD release version attempted to restore as much of the original version of the film as possible. Fantasia, despite its initial commercial failure, is today considered a classic film. -wikipedia-

Monday, December 15, 2008

Old tech is better!!

I purchased new MacBook about two months ago and it has iMovie 08 in it. Usually I think that new stuff is better one but not this time.
In my technology trend class, we used iMovie HD instead of new iMovie. At the beginning, I was kind of wondering that why we don’t use new version of this program. But I found out that sooner. After I worked on iMovie HD in school, I found out the convenience of old version of this program. 
I think that after they launched Final Cut, They reduced lots of effect for new iMovie version.

I brought this article from Wikipedia.

Criticism of iMovie '08
iMovie 08 has been the target of significant criticism due to a drastic decrease in features from iMovie HD 6. The loss of features caused New York Times reviewer David Pogue to state, "iMovie ‘08 is an utter bafflement...[it] is incapable of the more sophisticated editing that the old iMovie made so enjoyable...All visual effects are gone—even basic options like slow motion, reverse motion, fast motion, and black-and-white. And you can’t have more than one project open at a time."
Features removed included the classic timeline, the ability to create DVD chapter markers, and in-timeline audio adjustment and control. Most surprisingly, iMovie '08 imports a much more limited set of video codecs and metadata formats than previous versions of iMovie or today's QuickTime Player. For example, QuickTime Player can be extended to support the FLIP Video 3ivx MPEG-4 codec, but iMovie cannot use this QuickTime support. The peculiar lack of QuickTime support means QuickTime Pro can edit a far larger range of video than iMovie '08. Some users have also complained of iMovie 08 being slower and less polished than iMovie 06, and taking a long time to render clips and thumbnails.
In response to the reduced feature set, Apple released iMovie HD 6 as a free download to those who had purchased iMovie '08.

Features of iMovie '08
iMovie '08 (7.0) was released in August 2007 as a part of the iLife '08 suite. iMovie '08 was a complete redesign and rewrite of iMovie.
New features added include:
Much better HD output, and more formats to convert to.
A completely redesigned interface with an iPhoto style library. This is limited however by an undocumented restriction on supported codecs. iPhoto uses the QuickTime library and can create thumbnails for all QuickTime supported formats, but most of these cannot be used by iMovie '08. Indeed, even some of the very few formats that iMovie '08 is able to import will not be recognized when they are added to an iPhoto library. Motion JPEG encoded AVI files do appear to be recognized, this is the most common format used by digital cameras.
A new feature called skimming for quickly previewing video in the library at a user controlled speed.
A feature that allows one to highlight parts of video clips just like highlighting text.
The ability to add more than two layers of background sound, including multiple music, narration and sound effects; previous versions only had two spare audio tracks.
More exportation formats with support for iPhone size video and many other sizes.
The ability to export directly to Youtube
Support for non-tape based HD or non-HD video cameras such as DVD camcorders HDD camcorders, & AVCHD.
According to Apple's system requirements iMovie '08 requires at least a PowerPC G5 1.9GHz or an Intel Processor. G4s are not supported, though Apple sold its last G4-based Computers (iBook G4) 14 months before the release of iLife '08. However, a system hack enables iMovie 7.1 or higher to run on a PowerPC G4.

Features of iMovie HD 6
iMovie 6 was released in January 2006 as part of the iLife '06 suite. It is integrated with iPhoto, iTunes, iDVD, GarageBand and iWeb. New features include:
Themes. Designed for ease of use, themes allow the user to drop movie clips or photos into professionally-designed backdrops. Each theme includes full-motion graphic bumpers and transitions.
Real-time effects. iMovie takes advantage of the computer's graphic processing unit to perform some effects without rendering.
Real-time titling
Enhanced audio tools and effects
Multiple open projects
Video podcasts and blogs (using integration with iWeb)
Refined look based on iTunes 5 and 6.

Sunday, December 14, 2008

Want to be a Professional Orchestra Player?

I want to share this important information with all the violists out there.
sometimes It seems very hard to find a job as a professional musician.
but that's not the true anymore.
It became much easier these days because of the internet.
check this website if you want to be a professional orchestra player

http://www.musicalchairs.info

And these are the upcoming orchestra auditions for violist
Good luck for everyone!!

Orchestre symphonique de Montréal
Viola Associate (2nd chair)
Deadline 1 Feb 2009

Orchestre symphonique de Montréal
Alto, section (1 ou 2 postes)
Deadline 1 Feb 2009

Orquesta Sinfonica Sinaloa de las Artes
Viola (section) opening

Orquesta Sinfonica Sinaloa de las Artes
Viola 1 Fila

Orquesta Sinfonica UANL Monterrey, Mexico
Viola

Boston Symphony Orchestra
Section Viola
Deadline 27 Jan 2009

Pacific Symphony
Section Viola
Deadline 23 Feb 2009

Victoria Symphony Orchestra
Principal Viola

Victoria Symphony Orchestra
Section Players

Huntsville Symphony Orchestra
Viola 3 and 4
Deadline 29 Dec 2008

Detroit Symphony Orchestra
Orchestra Fellow
Deadline 2 Feb 2009

New Jersey Symphony Orchestra
Assistant Principal Viola
Deadline 15 Dec 2008

Milwaukee Symphony Orchestra
Assistant Principal Viola
Deadline 15 Dec 2008
Delaware Symphony Orchestra
Assistant Principal Viola

Buffalo Philharmonic Orchestra
Section Viola
Deadline 5 Jan 2009

Pittsburgh Symphony Orchestra
Orchestra Training Program for
African American Musicians (1 Position)
Deadline 15 Dec 2008

You Tube Symphony Orchestra




What a interesting event!!!

Interested in joining the first-ever collaborative online orchestra? Professionals and amateur musicians of all ages, locations and instruments are welcome to audition for the YouTube Symphony Orchestra by submitting a video performance of a new piece written for the occasion by the renowned Chinese composer Tan Dun (Crouching Tiger, Hidden Dragon). We have tools to help you learn the music, rehearse with the conductor, and upload your part for the collaborative video.

And how do you get to Carnegie Hall? Practice and upload. Send us your talent video performance from a list of recommended pieces. Finalists will be chosen by a judging panel and YouTube users to travel to New York in April 2009, to participate in the YouTube Symphony Orchestra summit, and play at Carnegie Hall under the direction of Michael Tilson Thomas.

The deadline for all video submissions is January 28, 2009.

Website: http://www.youtube.com/symphony

Prepare for Summer Festivals


Summer Festivals
 
1. Aspen Music Festival /Aspen, Colorado
www.aspenmusicfestival.com
The Aspen Experience begins with the opportunity to study classical music for nine weeks in a charming mountain town. Students apply to study privately with a particular artist-faculty member, but there are numerous educational opportunities beyond the one-on-one studio experience. Master classes, organized by instrument, are open to students in all disciplines and to the general public. Chamber groups are formed by audition and coached by our world-class artist-faculty and guest artists. Student competitions offer winners the opportunity to perform a featured solo with an orchestra.
 
3. Bowdoin Festival/ Brunswick, Maine
www.summermusic.org
Founded in 1964 by Robert K. Beckwith and Lewis Kaplan, the Bowdoin International Music Festival brings renowned classical musicians from around the world to Bowdoin College in Brunswick, Maine each summer for six weeks of instruction and performance. More than 250 highly talented young performers of graduate, college, and high school levels further their artistic development through a concentrated program of instrumental study and composition with the Festival's outstanding artist faculty.
 
4. NYU Intensive String Quartet/New York, New York
http://steinhardt.nyu.edu/music/strings/summer
Intensive String Quartet June 29 - July 18, 2009. Application deadline: March 15. Applications accepted after the deadline on a space available basis. This unique program in the art of String Quartet playing is offered to advanced high school and college students 15 years or older and young professionals. Through intensive preparation students will engage in an in-depth study of selected string quartet repertoire. Each group will learn an entire quartet and perform it during the NYU String Quartet Festival which is held at the end of the program. Students can take the chamber music workshop for undergraduate college credit.
 
5.Tanglewood Festival /Boston
www.bso.org (Click “Tanglewood” on the top of the home page)
The Tanglewood Music Center Fellowship Program offers an intensive schedule of study and performance for advanced instrumentalists, singers, conductors, and composers who have complete most of their formal training in music. The TMC provides tuition, room, and two meals a day at no charge to participants for their eight weeks of residency at the Tanglewood Music Center. The costs are underwritten by private donation, and most attendees receive named Fellowships that reflect the source of these donations; the TMC therefore refers to its participants as “Fellows.”
 
6. Yellowbarn /Putney, Vermont
www.yellowbarn.org
Yellow Barn is a chamber music professional training program and concert presenter founded in Putney, Vermont in 1969 by cellist, David Wells. Since 1998 the festival has flourished under the artistic leadership of Peabody Trio founding pianist Seth Knopp.
 
7. Marlboro/ Marlboro,Vermont
www.marlboromusic.org
Marlboro Music is acclaimed world-wide as an institution devoted to artistic excellence and to developing new musical leaders who illuminate all areas of music today. It is where the concept of having master artists play together with exceptional young professional musicians was born—initiating a dynamic new approach to learning. Under the Artistic Direction of celebrated pianists Richard Goode and Mitsuko Uchida, it is, perhaps, the only place where leading musicians can spend up to seven weeks exchanging ideas, and rehearsing in depth nearly 240 works each summer
 
8. Pacific Music Festival /Sapporo, Japam 
www.pmf.or.jp
The Pacific Music Festival (PMF), founded in 1990 by the premier, conductor, composer and educator of the 20th century, Leonard Bernstein (1918-1990), is an international educational music festival.
The PMF Academy, consisting of the Orchestral, Composition and String Quartet courses, offers a comprehensive curriculum to all participants for nearly four weeks in July.
The members of PMF Academy are selected through a very competitive audition process. These promising young musicians from around the world bring fresh interpretations to traditional repertoire, transcending national boundaries and languages.